Musick of the English Renaissance
Friday, October 17, 1997, 7:30 p.m.
UH
Organ Recital Hall, Fine Arts Building
| Third Tune for Archbishop Parker's Psalter |
Thomas Tallis (c.1505-1585)
|
| "Ye sacred muses" (Elegy on the death of Tallis) |
William Byrd (1543-1623)
|
| "Sorrow, come" |
John Dowland (1563-1626)
|
| "Eliza is the fairest Queen" / "Come Again" |
Edward Johnson (fl. 1572-1601)
|
| Two settings of "In nomine" a 5 |
William Byrd
|
| "In health and ease am I" "O my thoughts, surcease" |
John Ward (1571-1638)
|
| The Lamentations of Jeremiah
Lamentation I |
Thomas Tallis |
| Pavana I | Richard Dering (c. 1580-1630) |
| "If sorrow might be so fully express'd" | Richard Dering |
| The Lamentations of Jeremiah
Lamentation II |
Thomas Tallis |
Performance for American Musicological Society, Southwest Chapter
Saturday, 18 October 1997, 2:00 p.m.
Moores
Opera House
| Third Tune for Archbishop Parker's Psalter
("Why fum'th in sight") |
Thomas Tallis (c. 1505-1585) |
| "In health and ease am I" "O my thoughts, surcease" |
John Ward (1571-1638) |
| "Kemp's Jig" | anon. |
| "Sorrow, come" | John Dowland (1563-1626) |
| The Lamentations of Jeremiah"
Lamentation II |
Thomas Tallis |
Venus and Adonis by John Blow
Monday,
1 December, 1997, 7:30 p.m.
Tuesday, 2 December, 1997, 1:00 p.m.
Moores Opera House
Dramatic Music from the Golden Age: Carissimi and his pupils
Monday, March 30 1998, 7:30 p.m.
Moores
Opera House
| Serenata a tre voci e sinfonia | Marc-Antoine Charpentier (1636-1704) |
| Jerusalem, die du tötest die Propheten | Christoph Bernhard (1627-1692) |
| Incidental Music for La Comptesse d'Escarbagnas and Le Marriage Forcé | M.-A. Charpentier |
| Jonah | Giacomo Carissimi (1605-1674) |
Performance at International Festival-Institute at Round Top
Monday,
25 May 1998, 3:00 p.m.
| Grand motet: Domine Salvum | Jean-Baptiste Lully (1632-1687) |
| Petit motet: Omnes Gentes | Lully |
| Excerpt from Atys: "Venez, furieux Corybantes" (Act V, Scene VII" | Lully |
| Incidental Music for La Comptesse d'Escarbagnas and Le Marriage Forcé | Marc-Antoine Charpentier (1636-1704) |
| Bel tempo per mè | Giacomo Carissimi (1605-1674) |
| Jonah | Carissimi |
Madrigals and Partsongs of the French and Italian Renaissance
Tuesday, 20 October 1998, 1:00 p.m.
Choral
Recital Hall, UH Moores School of Music
| Gavottes from Terpsichore (1612) | Pierre Francisque Caroubel |
| Tutto lo di S'una fede amorosa O occhi manza mia |
Orlando di Lasso (1532-1594) |
| O Sonno
Pour ung plaisir Datemi pace |
Cipriano de Rore (1516-1565) Claudin de Sermisy (c. 1490-1562) Rore |
| Canzona I
Gagliarda Prima a 4, dettoil Galluccio
|
Claudio Merulo (1533-1604) Giovanni Maria Trabaci (c. 1575-1647) |
| Occhi miei
Frais et gailard (after Clemens non Papa) Quante son stelle in ciel |
Claudio Monteverdi (1567-1643) Girolama Dalla Casa (?-1601) Monteverdi |
| O come e gran martire Io parto |
Carlo Gesualdo (c. 1561-1613) |
Performance for Cypress Creek Music Teachers Association
Tuesday, 17 November 1998, 10:30 a.m.
H&H
Music Auditorium
| S'una fede amorosa O occhi manza mia |
Orlando di Lasso (1532-1594) |
| O Sonno
Pour ung plaisir Datemi pace |
Cipriano de Rore (1516-1565) Claudin de Sermisy (c. 1490-1562) Rore |
| Occhi miei Quante son stelle in ciel |
Claudio Monteverdi (1567-1643) |
| O come e gran martire |
Carlo Gesualdo (c. 1561-1613) |
Music of the French and Italian Renaissance
20
October 1998, MSM Choral Recital Hall
This workshop performance featured madrigals and part-songs from
the 16th and 17th centuries. Matthew Dirst directed the Collegium and
provided
commentary
for the works presented, including works by Orlando di Lasso, Claude de
Sermisy, Cipriano de Rore, Claudio Monteverdi, and Carlo Gesualdo.
This was also the debut performance of the Moores School of Music's
1998 Bennett-Giutarri positiv chamber organ.
Music of Monteverdi and Bach
1
December 1998, Moores Opera House
The programme featured selections
from Claudio Monteverdi's Madrigals of Love and War (1638) including Il
Combatimento di Tancredi e Clorinda, Il
Lamento della Ninfa, and Hor ch'el ciel e la terra. Also performed was J.S. Bach's Schweigt stille, plaudert nicht (a.k.a., the Coffee Cantata).
Music of Hildegaard von Bingen
30
April 1999, Sanctuary of Christchurch Cathedral, Houston,
In honor of the 900th anniversary of the birth of the abbess, mystic,
and composer Hildegaard von Bingen, the University of Houston Collegium
Musicum proudly presented her monumental work, Ordo Virtutem (Rule
of Virtues).
Handel's Acis and Galatea
3 November 1999, Moores Opera House
20
November 1999, No Tsu Oh
The University of Houston Collegium combined
with Bobbindoctrin, a Houston shadowpuppet group, to jointly present this
classic short Handel opera. These performances featured ten singers, a
chamber orchestra and Bobbindoctrin interpreting the narrative through
shadowpuppetry.
15 April 2002, 7:30pm, Moores Opera House
Join us for the American première of Handel’s first oratorio, which will be dramatized in this period-instrument performance by the Moores School Collegium Musicum and Ars Lyrica Houston, Matthew Dirst, Director.
15 April 2003, 7:30pm, Moores Opera House
Scarlatti's dramatic oratorio, with the Moores School Collegium Musicum and Ars Lyrica Houston, Matthew Dirst, Director.
